Internetowy Speedway Quiz

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where you sit is where you stand
This is a hierarchy that is unwavering, unapologetic and nonnegotiable. You can plead or beg though a few will try to steal a frontrow seat and no amount of money can buy you a frontrow ticket.
Perhaps no other industry places such a premium on a seating arrangement. And perhaps no other seats are as high in demand as the ones at Paris Fashion Week, where, from Sept. 27 to Oct. 5, the fashion elite appeared along side celebrities like Salma Hayek, Uma Thurman and the Olsen twins. There was even a royal clash when Thai Princess Sirivannavari Nariratana, in the front row at the Elie Saab show, was apparently rebuffed by guards of her fellow frontrow princess, Beatrice, some seven seats away.
At any time, the fine art of allotting those seats closest to the runway can rival the protocol of the court of Marie Antoinette. But the hierarchy goes a little like this:
If designers were allowed to put a throne in the front row, it would be reserved for the fashion world queen bee, Anna Wintour, editorinchief of American Vogue, the most influential and powerful book in the industry. No wonder its loyal readers nickname it Fashion Bible.
Her reserved spot is usually not too close to the top of the runway nor too close to the end of the runway. She is typically flanked by her lieutenants, creative director Grace Coddington and either her fashion director Tonne Goodman or editor Hamish Bowles. Rarely does Wintour turn around to talk to them. But to her credit, in an industry that prizes tardiness, she displays good manners and shows up on time. Wintour is often in her seat 15 minutes early, despite the fact most fashion shows start late, by up to 30 minutes or more.
Editors from rival publications like Elle or Harper Bazaar are placed far from her, if not in the opposite front row. Only four other Vogues possibly occupy frontrow status: the editors of the Italian, French, British and Japanese editions.
Vogue India, you can take your seat in the third row.
Only a handful of newspapers, such as the New York Times, Le Figaro, International Herald Tribune and the Telegraph are given frontrow invitations for their fashion critics.
So who are the other highranking types?
Retail executives like Holt Renfrew fashion director Barbara Atkin. And boutique owners who sell a lot clothing from one particular designer, like Linda Perisa, of Yorkville 119 Corbo, who sat in the front row at Haider Ackermann.
Majorleague fashion photographers Mario Testino and Patrick Demarchelier get a seat because they shoot the fashion houses ad campaigns. Close family members have an in, like Paul McCartney, who never misses daughter Stella shows. And of course, owners of the fashion house, like Bernard Arnault, who is one of the richest men in France and owns Louis Vuitton.
Celebrities are always the last to arrive, and yet most shows won start until they are seated.
Because in most cases they have been paid by the fashion house to be there. They are flown first class, put up in the best hotels and provided with the latest designs to wear. It marketing magic: Once everyone else has taken their seats, the stars make a grand entrance. An explosion of flashbulbs heralds their arrival,[url=http://www.floware.fr]michael kors femmes[/url], and the resulting pictures make it into the celebrity pages.
There was one moment during Paris fashion week when the hierarchy was unceremoniously disrupted. At Balenciaga, the frontrow benches collapsed and so, in a rare moment of equality, everyone had to stand.
If the front row is the highest order, you would think that those given standing tickets would be the lowest. Not so. In this chain of elitism, the Paris fashion show has found a way to make one feel even less than human.
If you given a seat number with the prefix, bis and this is typically for seats in the back row don even have an entire seat. You have to share one spot with someone else, which makes for some tricky negotiating on who will use only one cheek on the seat.

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Fuzhou cinema "head" of the increasingly fierce competition: in March,[link widoczny dla zalogowanych], Financial Street Wanda studios for the first time to sit on the Fuzhou cinema "head", the Fuzhou theater "brother" Jin Yi studios not resigned to playing second fiddle, in April a draw Bureau, will once again Wanda studios behind.

but last week, a China Film Association published the national studios weekly ranking, Jin Yi's "head" also did not take the heat, and by the Financial Street Wanda studios to "play". Analysis of

industry insiders, Fuzhou cinema competition has entered the white hot, the theater a dominant pattern is difficult to appear again. In order to share a cup of soup at the box office,[link widoczny dla zalogowanych], many theaters has started a new round of upgrading hardware.

Jin Yi, Wanda expansion box office battle

in recent years, in the Jin Yi studios Fuzhou market outshines the market has been recognized as overlord, but this year, be placed in jeopardy Jin Yi's "brother" status.

in March, the national theater box office top 50, Jin Yi not scene, Financial Street Wanda studios to 2390000 yuan in forty-eighth,[link widoczny dla zalogowanych], for the first time to sit on the Fuzhou theater for the first place, surprised many in the industry.

in April,[link widoczny dla zalogowanych], Jin Yi box office rankings again returned the 50 to 4450000 yuan, ranking the thirty-ninth in the whole country, to defend the Fuzhou theater "a brother" position. Financial Street Wanda studios to $3990000 at the box office in the fifty-second row, Cangshan Wanda ranks sixty-sixth at the box office,[link widoczny dla zalogowanych], the monthly 3490000 yuan.

but last week, a national weekly cinema's latest show, Financial Street Wanda studios single week suction gold nearly 600000 yuan, a successful summit. Jin Yi with 585000 yuan followed. Cangshan Wanda single week box office of 480000 yuan, still ranked third.

"at the box office and the number of seats actually has the very big relations." Jin Yi studios relevant person in charge,[link widoczny dla zalogowanych], the tug and Wanda studios at the box office, mainly because of the 3 month, Jin Yi low-key to decorate upgrade. Jin Yi closed at 1 small rooms and a hall, seating reduced more than 700. In April and May, respectively,[link widoczny dla zalogowanych], the closure of two hall,[link widoczny dla zalogowanych], seat number reduction 400-500. Can say,[link widoczny dla zalogowanych], the recent Jin Yi studios only 5 theaters to open to the outside world.

the responsible person, although single week record backwardness,[link widoczny dla zalogowanych], but statistics from May 1st to 20 day, Jin Yi at the box office is still slightly higher than the Financial Street Wanda studios.

Fuzhou cinema multi world era

Jin Yi studios most glorious period in 2010, that year,[link widoczny dla zalogowanych], Jin Yi studios to $61930000 at the box office,[link widoczny dla zalogowanych], ranked sixth, occupied the Fuzhou market half of the country.

but yesterday, Jin Yi studios relevant responsible person said, from Wanda studios in Fuzhou at the moment
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